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Joseph Ducreux 1735-1802
French
French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.
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Painting ID:: 1013
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Joseph Ducreux Self Portrait_10 1793
Painting ID:: 26973
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Joseph Ducreux Self-Portrait as a Mocker mk52
1793
Oil on canvas
55x46cm
Louvre,Paris
Painting ID:: 44821
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Joseph Ducreux The Seamstress mk177
1916
Oil on canvas
36x28
Painting ID:: 79013
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Joseph Ducreux Portrait de lartiste sous les traits dun moqueur 1793(1793)
Medium Oil on canvas
Dimensions 91 x 72 cm (35.8 x 28.3 in)
cyf
Painting ID:: 81742
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Joseph Ducreux Yawning before 1783(1783)
Medium Oil on canvas
Dimensions 45 x 35 cm (17.7 x 13.8 in)
cyf
Painting ID:: 95440
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Joseph Ducreux Marie Antoninette Marie Antoinette
Archduchess Maria Antonia of Austria, the later Queen Marie Antoinette of France
Erzherogin Maria Antonia von Österreich, die spätere Königin von Frankreich
L'archiduchesse Marie-Antoinette d'Autriche, future reine de France
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Joseph Ducreux
1735-1802
French
French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.
